The evening sun had rolled down and blown out in a bloody wad and the white, full moon had rolled up like an enormous ball of tightly wrapped twine.
- “Deadman’s Road” by Joe R. Lansdale (opening sentence), The Living Dead by Various, pg. 299
The evening sun had rolled down and blown out in a bloody wad and the white, full moon had rolled up like an enormous ball of tightly wrapped twine.
The sky was a velvety black paw pressing on the white landscape with a feline delicacy, stars flying like sparks from its fur. The cry of an owl, brooding over its ruby appetites, cut through the frigid air like a vibrating pin. Then, all was silent except for the soft crunch, like ants chewing wax, of his boots upon the snow.
Clapping hands like the spatter of irregular rifle fire, swaying bodies like stalks in a terrible wind, moans of the great potential dead, screams of the fighting living.
Oh it was gorgeousness and gorgeosity made flesh. The trombones crunched redgold under my bed, and behind my gulliver the trumpets three-wise silverflamed and there by the door the timps rolling through my guts and out again crunched like candy thunder. Oh, it was wonder of wonders. And then, a bird of like rarest spun heavenmetal or like silvery wine flowing in a spaceship, gravity all nonsense now, came the violin solo above all the other strings, and those strings were like a cage of silk round my bed. Then flute and oboe bored, like worms of like platinum, into the thick thick toffee gold and silver.
I silently stared out the window, folding the anger up like a handkerchief and tucking it back in the pocket where I’d been keeping it for the last ten years. Most of it still fit. Most of it.
Rather than burying his face in her moonlit, fire-lit, spandex-wrapped bosom, he obligingly takes in the sea view. It sits in rows like a theatre audience, its jewellery and spectacles winking under the moon, the stars crowding in the balcony overhead.
I couldn’t even tell whether my eyes were open or shut, and the darkness swirled about me like charcoal maggots in a coal cellar.
Major — de Coverley was a splendid, awe-inspiring man with a massive leonine head and an angry shock of wild white hair that raged like a blizzard around his stern, patriarchal face.
It was like trundling full tilt into a pillar of molasses, the conversation likely to be sticky and the individual attractive only to creepy-crawlies.
It seemed like the late autumn wind blew them in that night, spinning and dizzying from the four corners of the world. It was a bitch wind, knife-sharp and cutting, and it blew bad and cold. And they came with it, scurrying and skittering, like yellow leaves and old newspapers, from a thousand places and from nowhere at all.
Book Reviews & Stories by Danielle
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